Monday, 24 November, 2008

"YUVATA" Movie Review



Good : The film Yuvatha is all about friendship and love for life. Director Parasuram manages to weave a light hearted and feel good movie right trough the first half. However, post interval, the film move on to a serious plane and the twists and turns and heavy sentimental scenes take the sheen away from the youthful and light hearted entertainer that Yuvatha was touted to be.

Story: Babu (Nikhil) loses both his parents in his childhood and his maternal uncle grabs al the property in his name in the name of giving him shelter and raising him. Babu is a happy go lucky guy without a care in the world. He does not do any work and also neglects his studies.

After his uncle scolds him for being a good for nothing fellow, Babu leaves his native place Kesavaram and lands in Hyderabad where his friends are staying. One of them is a Ajay, software engineer and he is waiting for his visa to go to the US. Another guy is an aspiring director who dreams of making a film with Pawan Kalyan. The third wants to become a police officer but is at present working as a private security guard.

Ajay is in love with the Madhavi (Monali Choudhary) daughter of the landlord. Babu meets Baby (Aksha) and it is almost love at first sight. Baby is studying medicine. Babu and his friends give a big treat to Baby on her birthday. But a rowdy makes some lewd comments against Baby and an enraged Babu bashes him up.

The rowdy attacks the friends the next day and fatally injures Subbu, the aspiring director. Subbu is rushed to the hospital and the doctors tell the friends that five lakhs is required for surgery. The friends try all means but fail to arrange the money. Then one of the friends thinks of borrowing the amount form a gangster Narsing Yadav. The gangster gives them the required five lakhs on the condition that they will return it along with interest within one week.

When the friend fail to pay up after one week, the gangster bashes them up and give them another 48 hours to cough up the amount. With no other option, Babu and Ajay in association with the friend who is working as a security guard plan to rob a securities firm that is responsible for loading money in ATMs. When the two friends enter the strong room, they find it empty. When they try to leave the place, the police arrive on the scene and take them into custody. Babu and Ajay are no in jail on charges of stealing 20 crore from MS Securities. Who is the real robber? How do Babu and his friend manage to wriggle out of the case forms the basis for the rest of the story.

Performance:

Nikhil is the hero and h does a convincing job in his role of a carefree youth who is ready to do anything for his friends. Aksha debuts as heroine in Tollywood with this film. She plays the role of a medical college student. She is good looking and sensuous. However, she needs to hone her acting skills a lot.

Monali Choudhary and Randhir are okay in their roles. Sayaji shinde plays an inmate in the prison and he raises some laughs with his obsession for the sexy Simran. Jeeva as ‘Sonu Seth – Hyderabad ka Baadsha’ manages to raise some laughter. Jayaparakh Reddy as the jailor goes about his job in a routine fashion.

There are some good one-liners that draw a lot of applause from the audience. In one scene, Nikhil says “Iddaru Kalisthe Pudatham, Naluguru Moosthe Potham”.

In another scene Nikhil says “Alochinchukuni cheyyadaniki idi vyapaaram kadu – friendship”.

The title song Yuvatha …Yuvatha…Yuvatha…’has been filmed well and shows the friends in a playful mood. There is also an item song in the prison. Music by Mani Sarma is okay.

Director Parasuram manages to make the film quite enjoyable in the first half but he has put too many twists and turns in the second half. The heavy sentimental dialogues by Nikhil also affect the light hearted mood that was so enjoyable in the first half.

The film is targeted heavily at the youth and the fate of the film now rests entirely on their patronage.

End Credits :

Starring : Nikhil, Aksha, Monali Choudhary, Ranadhir, Sayaji Shinde and others
MUSIC : Manisharma
DIRECTOR : Parasuram
RELEASE DATE : November 7th, 2008

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"VINAYAKUDU" Movie Review



Sekhar Kammula's erstwhile assistant, Saikiran Adivi, is out with his directorial debut Vinayakudu with a tag (of course it has to have a tag) "A big fat love story". It has all the elements of what is now officially known as the Kammula School of Thought. But like the other associate's flick released last week, it is not quite Kammula. Understandable. But it shows some potential and the good news is that a new mileu of filmmakers and respective audiences are awakening to different kind of cinema in Telugu. In short, the pros: an interesting storyline, a little humor and a 'realistic' approach. The cons: lacklustre script and some scenes which drag alongside some questions about the context itself. Read on.

SoniaPlot Karthik is fat, unhip, good at heart, fun and comes to Hyderabad to work. At his office, he meets Kalpana, an independant and opinionated girl who dislikes him as soon as she is introduced while he falls in love with her. Their problems include but are not limited to the difference in their weights and personalites and the fact that she has a ready parents-approved suitor at hand.

Story, Screenplay and Direction Like Maggi Ketchup, 'It's Different'. But unlike the Ketchup, it's not chatpata. Even though it's fiction, it's actually a sensitive subject beneath all the humor facade. An obese man and his love life, that too with a slender and fiery female. The subject needs to be treated with some caution, and though it does not succumb to the obtuse angle of say a Kitakitalu which has a similar storyline, it has it's minuses. Why is he so..dumb? So does Fat=Dumb? Even if it's not so, it's hard to see why the girl is attracted to him or gels with him apart from his happy-go-lucky nature apparently and a 'good heart' (with the possibilty of cholesterol in future). It's not merely about the weight, but his entire personality comes across as being stupid or uncool many times. And many contradictions. Among others, he is supposed to have inherited the weight issue from his parents but can't lay off food and grabs a laddoo without brushing his teeth bang in the first 10 minutes of the movie.

There is one particular scene in the movie where Altaf has a fight with Sandhya (Poonam Kaur): a boys versus girls debate. This turns into Karthik and Kalpana's debate and they have a showdown. While the pitch and the tempo of the scene is good, it's more or less clichéd. Still, the writing was well-thought of and that's evident in certain scenes, but not the script in it's entirety. Sometimes it's shoddy, especially the office scenes and unnecessary tracks and characters. The other thing is..why is an African lady speaking fluent Telugu named Rachana and an oriental gal called Shruti? Since when?

Some of the dialouges and several chunks of the movie have as much finnesse as a short flick made by students learning the art of filmmaking. The other no-go is the special appearance of the producer himself as the boss of the organization (cleverly disguising his acting abilities by making him an expressionless boss who intimidates people-smart work that) and also rounding off the movie with he and his wife featuring in their wedding anniversary bash and giving gyan on what makes a strong marriage. Okay, great. Not. Actually by this time you feel sorry for the director and figure out that maybe everything is not his fault. Some of the performances are (yawn) amateurish and the background needed honing. The direction has some potential but needs some toning.

KrishnuduPerformances Krishnudu as Karthik acts dumb a whole lot and stares blankly. Now the trick is to figure out whether it's for real or that's how his character brief was given to him. It will take one more movie to figure out his potential as an actor. Sonia is natural and her looks are an asset for her. Suryatej as Altaf is not bad as is Poonam. Satya Krishnan as Karthik's sister is good. The guy who played Ananth, the office casanova is convincing but he needs to discard the accent next time and Ankitha is okay.

Song and Dance Not bad but nothing memorable. The background could have been better.

Last Word It's time for Telugu cinema to come of age and take in different genres, meaning have an appreciative audience and a definitive commercial value even when the big stars are not a part of it. While movies such as these are a step in the right direction, this particular one is not particularly fabulous or unforgettable. Au Contraire, it's just okay.

End Credits :

Starring : Krishnudu, Sonia, Poonam Kaur, Suryatej, Ankitha, Samrat and Others.
Art: Satya Srinivas.
Cinematography: PG Vinda.
Editing: Marthand K. Venkatesh.
Lyrics: Vanamali.
Music: Sam Prasan.
Presenter: Prem Kumar Patra.
Producer: Saritha Patra.
Writer & Direction: Saikiran Adivi.
Banner: Prem Movies.
Release Date: 22nd November, 2008.

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"SURYA S/O KRISHNAN" Movie Reviews


Like Khakha Khakha or Gharshana in Telugu, Surya S/O Krishnan has a slow pace, starts from the ending backwards and is narrated by the protagonist. It's not everyone's cup of tea, but it's a good watch nonetheless.

Sameera Reddy and SuryaPlot Surya looks up to his father, who's his inspiration and his role model. He contemplates on his life from being a crazed lover who persues and then loses his love to a drug addict and an army man in control of even a crisis situation. His father, quietly but significantly, influences Surya.

Story, Screenplay and Direction It's basically Surya's life and his relationship with his father. It takes you through Surya's journey, from being a gawky unsure teenager to someone who's madly in love to an army officer. His looks change as his life changes, but his basic nature remains same. He's stubborn with a keen sense of purpose whether it's a girl's love he's after or on a rescue mission even after he hears of his father's death. The movie shows how and where his father's influence was strong and where it changed his life at every crucial juncture.

People might identify with certain things, but some things are simply not to everyone's understanding. When Surya loses his love and gets into drugs, neither his grief nor his escape through drugs and the cold turkey that sets in is something your average cinegoer experiences or feels for (amen to that). Menon's style is not loud even at the movie's violent best, which involves Surya saving a kid from a kidnapper's group in Delhi's dark areas after which he decides to join the army.

Soon after that decision, Surya's 6 year army life is covered in a series of shots showing him in some improbable missions happening ALL the time, which (ask anyone in the army) doesn't happen unless they are troubled or war time. It's almost like Menon didn't want to risk dragging the movie ever. The movie doesn't drag, but the mood or feel is slow. Gun shots sound more realistic, the music is good but forgettable and the movie picks up post-break. The movie begins with Krishnan's death and Major Surya getting the news on his mission. His whole life flashes past him.

Surya and Divya SpandanaPerformances Surya gives a commendable performance, and he has many shades to portray even as the character 'Surya'. As Krishnan he is very good, and pulls off playing a man of his father's era very effectively. He's never loud or melodramatic. Actually, performance-wise Surya and Krishnan are harder to work at than his Ghajini role. That considered, it's probably one of his best ever performances. Simran justifies her role as Krishnan's wife. Sameera has this mysterious air about her which works for the character and hides her lack of skill-at least as compared to the others in the cast. Divya Spandana is okay in her brief role. Prithvi makes a comeback cameo.

Music and Dance Harris Jayaraj doesn't exactly rock, and the music also sounds a whole lot better in Tamil.

Last Word It's not as exciting a movie as Khakha Khakha. Also a lot of the flavor is lost in translation. 'Macha' replaced with 'Mama' doesn't have the same effect...and so on. But it's a movie made from the heart with some really touching moments and believable characters.

End Credits :

Starring : Cast: Surya, Simran, Sameera Reddy, Divya Spandana and Others.
Action: Super Subbarayan, Ijaaz, Javed.
Art: Rajeevan.
Choreography: Brinda.
Cinematography: R. Ratnavelu.
Dialogues: Shashank Vennelakanti.
Editing: Anthony.
Lyrics: Veturi.
Music: Harris Jayaraj.
Executive Producer(s): Madan-Ganesh.
Producer: V. Ravichandran.
Writer & Direction: Gautham Vasudev Menon.
Banner: Aascar Film (P) Ltd.
Release Date: 14th November, 2008.

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Friday, 14 November, 2008

"AVAKAI BIRYANI" Movie Review



After movies like Dollar Dreams, Anand, Godavari and the teen hit Happy Days, Sekhar Kammula's brand of cinema has been established, and more importantly, appreciated. Avakai Biryani sounds so interesting, and one would expect entertaining, clean (clean entertainment being the key word here), feel-good cinema coming from the Kammula clan. Directed by Anish Kuruvilla, fiery film maker who expressed himself in his debut Confessions of a Filmmaker, Avakai Biryani starts off on a promising note but ends up being a disappointment.

Bindu Madhavi & Kamal KamarajuMainly, there is nothing novel or refreshing in it-a Hindu-Muslim love story in a rural set-up with relatively new faces and everyday situations and people. Where Kammula gets the audiences' attention is with a tight script that refuses to drag and ends at the right time, humor and scintillating music; all the departments where Kuruvilla's feature debut lacks.

Plot Akbar, an orphan in Devarakonda is a part-time auto driver, paper boy and B.Com fail (3 times). Laxmi is a potential Avakai entrepruener, newly shifted to this village and a B.Com graduate. Their love story intercepted with village politics and dynamics, their dreams and aspirations, heartbreak and survival in their lives is what this combination is all about.

Story, Screenplay and Direction The lack of consistency is an issue. The first 20 minutes and introduction to the village and Akbar's life is endearing. You expect an Iqbal. There is a lot of detail in some of the scenes and nothing looks out-of-place. Post-break though, the movie slows down tremendously. After the Auto-race...which is actually a really neat idea. The whole movie is full of really neat ideas. All those ideas work on paper and must have seemed like a good idea to put all those neat ideas together. Still would have been, if it wasn't for all the fillers and the last one hour which drags and drags till Laxmi's family set their hotel up.

The problem is, you expect a whole lot from that team. Because if you compare this movie with the last few Telugu releases (with one exception) this is Paradise (Heaven tends to get a little boring after a point, of course). But in general, there is nothing that makes this movie a memorable experience. This is also Formula, if you come down to it. Unfortunately or otherwise, bigger or at least better things are expected out of this team. And they better live up to it.

Crisper editing, more humor and better music could have made a huge difference to the movie. Using Devarakonda as opposed to some nameless village, portrayal of village dynamics, Akbar's journey in general, Auto race and CM's visit are the pros. Dragdragdrag in the second half and lack of stronger line post break are major cons.

Bindu Madhavi & Kamal KamarajuPerformances Kamal Kamaraju is believable and has good chemistry with Bindu Madhavi as Laxmi. Bndu Madhavi is raw and new, and it might take a movie or two more to understand her potential. She looks the part of course. Akbar's friends add some flavor to the movie while Rao Ramesh as Masterji is another Villain (we like villains here, don't we?). Laxmi's brother-sister: cute, well-written characters you can identify with and the kids justify thier roles. Laxmi's parents (stereotyped) are okay.

Music and Choreography The music is not bad, but that's about the best you can say about it. The romantic song post-break is sweet. The celebration song is peppy, and the choreography decent but seriously routine. Gives you awful déjà vu. The background score is okay.

End Credits :

Starring : Kamal Kamaraju, Bindu Madhavi. Rao Ramesh and Others.
Cinematography: Shamdut.
Editing: Praveen Boyina.
Lyrics: Vanamali.
Music: Manikanth Kadri.
Executive Producer: Ratnam.
Producer(s): Sekhar Kammula and Chandrasekhar Kammula.
Writer & Direction: Anish Kuruvilla.
Banner: Amigos Creations (P) Ltd.
Release Date: 14th November, 2008.

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