"MITRUDU" Movie Review

Balakrishna's road shows are far more tolerable than films like this. Mitrudu that released today has Mahadev trying hard to recreate the magic of Balakrishna but comes a cropper. The film has a story line that has been oft repeated and the sudden change of role for the mass hero as a mellowed man disappoints viewers. Even the action scenes are stripped of spirit and energy. It's time many contemporary actors choose roles that suit them rather than hanging onto a set image causing loss to the industry exchequer.No hype and hoopla for Mitrudu but it has a weak story line that takes nearly an hour and a half to establish itself leaving the audiences cueless of certain happenings. If that is premeditated, the unraveling of the suspense hardly raises one's brow. Mitrudu is a film that can be conveniently added to the series of flops delivered by Balakrishna. It has a story that will find difficulty winning even the most hard core of Balakrishna fans. Though one thought the absence of fights and heavy dialogues will attract women folk, it boomeranged as the director came up with a flippant screenplay. He designs a character for the hero that is specifically designed to grate one's nerves. Tired visage, false hair and scripts that have been rehashed countless times leaves the viewer with a feeling that a serial on the small tube is far more pleasing.
Balakrishna & Priyamani Dialogues from Brahmanandam like, "I'm not an outer, I am a shooter", sounded silly and Krishna Baghwan's presence is not credible. Coming to the story, Priyamani, daughter of a rich industrialist and an MBA student on an astrologer's advice marries Balakrishna as his horoscope predicts his death on the 30th day after his marriage. She is told that the person she weds next will live a long and a prosperous life. As the lady is already in love with a physically challenged youth Deepak, she uses Balakrishna as a pawn.
Balakrishna is illtreated at his father-in-law's home and the bad men who are eyeing Priyamani's property join hands to eliminate him. Balakrishna's background, Priyamani's change of heart, twists and turns, the nemesis of the rivals all takes place post interval while the first half of the film is trivial. The actor wears a forlorn and detached look, lacks energy and sprit in many important scenes. Priyamani doesn't have a meaningful role and as usual is running around trees.
BalakrishnaThe opening episode has him drinking and precariously balancing on the balcony railing, sometimes he reads Ayn Rand while the heroine tries hard to get his attention and he at times looks endlessly for the shooting star in the sky to let luck and love into his life. The soft role doesn't gel and to make matters worse the double entendre by the heroine and her friend is a test of one's patience. The last half an hour has low brow humour and a fight. Music is okay. Rama Rajamouli's work does not stand out. The film is not a serious competition for the next numerous films releasing this month.
End Credits :
Starring : Balakrishna, Priyamani, Brahmanandam, Ranganath, Pradeep Rawath, Chandramohan, Deepak, Krishna Bhagawan, Balaiah, Hema, Chalapathi Rao etc..
Music: Mani Sharma.
Cinematography: Balamurugan.
Editing: Kola Bhaskar.
Art: Anand Sai.
Story: Vijayendra Prasad.
Dialogues: M Ratnam.
Styling: Rama Rajamouli.
Producer: Sivalenka Krishna Prasad.
Direction: Mahadev.
Banner: Vaishnavi Cinema.
Fights: Ram-Laxman.
Release Date: 1-May-2009
Labels: balakrishna, brahmanandam, Pradeep Rawath, priyamani, Ranganath, tollywood



